Atlanta, Georgia is a vibrant city known for its diverse night life and rich appreciation for various cultures and artists across genres. On a memorable evening of August 15, the city welcomed a unique set of fans as the renowned venue, The Masquerade, hosted the Japanese rock band, BURNOUT SYNDROMES.
The band, comprised of vocalist and guitarist Kumagai Kazuumi (熊谷和海), bassist and backup vocalists Ishikawa Taiyu (石川大裕), and drummer and backing vocalist Hirose Takuya (廣瀬拓哉), came together on May 4, 2005. Since their inception, BURNOUT SYNDROMES have released two albums under Epic Records Japan and have contributed music to popular anime series such as Haikyu!!, Dr. Stone, and Gintama. Their musical style is a fusion of various genres like techno, ambient, and hip-hop, showcasing their versatility and creative prowess in crafting songs that paint vivid narratives.
The band's performance in Atlanta marked the kickoff of their “Good Morning [New] World TOUR 2024,” where they captivated the audience with their multi-dimensional talents and dynamic stage presence. Fans eagerly immersed themselves in the experience, engaging in conversations about their favorite tracks, anime shows, and anticipated setlist for the night. As the lights dimmed and the band greeted the audience with a spirited,
“おはよう世界 Good Morning World!”
This stage not only mimicked the tour's concept and title, but also complimented the venue's atmosphere as it crackled with excitement. Attendees cheered, waved light sticks, and sang along passionately to every lyric, creating an electrifying ambiance. The band's performance of “Hikari Are” further intensified the energy in the venue. As the sea of green, yellow, and red lights flowed across the stage into a more solemn, deep blue and purple mix, the band paused for just a brief moment to before beginning, “Maou,” which showcased a seamless transition in tempo and mood, enveloping the audience in a mesmerizing musical journey.
The energy in the venue picked up once again as BURNOUT SYNDROMES took to the stage with "Hana Ichi Monme," "BLIZZARD," and "Mt. Wakakusa Starmine," where their passion for music evident in every note they played. Each member of the ensemble had a unique presence that added to the dynamic of their performance. Kumagai's vocals were captivating, drawing the audience in with every lyric he sang, while Hirose's rhythm on the drums served as the heartbeat of the music, keeping everyone connected and moving to the beat. Ishikawa, on the other hand, brought a different kind of energy to the stage. His spirited performance saw him jumping and moving along with the songs, his bass guitar adding depth and groove to the music. The crowd responded enthusiastically, mirroring Ishikawa's movements by raising their hands in the air and jumping along to the infectious rhythm.
The band then took a moment to talk about some of the fun things they did while on the plane over to America, to which Kumagai admitted that he liked to play RPGs, and Ishikawa confessed he was not a RPG gamer, but more of a soccer fan -- which generated supportive cheers from the audience. It was time to start the second half of the program with "The WORLD Is Mine," which was accompanied with a carefully curated lyric video created by Ishikawa before showcasing a unbelievable later half of the show as they performed top fan-favorite hits, "Kimi no Tame no Music," -- where fans were asked to turn on their flashlights and wave them back and forth to the music, "High Score Girl, " -- where Ishikawa would show attendees the dance choreography for this stage, and he would then lead them to dance throughout the performance. Between "High Score Girl" and the upcoming stage, fans were greeted with VCR with a relevant captioning that hyped them up for the next stage, "Phoenix," -- which filled the venue with the harmonious voices of the band and attendees together. Anime fans and BURNOUT SYNDROMES dedicated fan base alike were singing along to each word, raising their fists int he air and jumping along to the sounds of this powerhouse anthem.
The energy skyrocketed as fans were welcomed with a breathtakingly curated video and mesmerizing blue lights that transformed the venue into an enchanting "Ocean." Hirose set the tempo, while Kumagai and Ishikawa traded their instruments for a heartwarming all-vocal performance that stirred emotions. The crowd was in awe of the band's incredible adaptability and their knack for creating any desired mood. The next stage began with a soulfully acapella,
"飛べ fly, high",
once again elevating the venue's energy and sending anime fans into a frenzy! Ishikawa and Kumagai led the fans in an energetic jump, exuding pure joy on stage, which carried through to the final performance of "Hikousen," a personal favorite. As the show approached its end, the trio vanished momentarily to change into their tour shirts, prompting the crowd to chant, "ONE MORE SONG! ONE MORE SONG!..." BURNOUT SYNDROMES happily obliged, returning to the stage to express their heartfelt appreciation to the audience for their support and enthusiasm. They then delivered a powerful rendition of their Paralympics song, "Amateras," before concluding the night on a high note with the tour's self-titled track, "Good Morning [New] World!"
The synergy between the band members was undeniable, creating a seamless performance that had the audience fully engaged from start to finish. BURNOUT SYNDROMES' ability to connect with their fans through their music was truly a sight to behold, leaving a lasting impression on all those in attendance.
K Fuse would like to the the members of BURNOUT SYNDROME and Fake Star USA for this incredible opportunity to provide coverage for the first stop of the "Good Morning [New] World 2024 Tour in the US"
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